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PRESS
1/3
Accompanied by Marion Guth, their producer, they keep drawing the public’s attention to rape as a weapon of war. Not just so that the audience will be moved before moving on, but so that attitudes, mentalities and even legislation will finally change.
Aude Dassonville, Télérama
"Films to change the world"
France, June 2019
PRESS
What Little Nemo’s father had in common with the notable docus of recent years, from Rithy Panh’s The Missing Image to Ari Folman’s Waltz with Bashir, via Marjane Satrapi and Vincent Paronnaud’s Persepolis and the Blies brothers’ Zero Impunity, is the approach. In the words of film historian Jacques Kermabon: “Figuring the unmentionable”
Didier Stiers, Le Soir
"Cinema: capturing trauma in images."
Belgium, March 2022
PUBLICATION
It seems to us that artists should never be a separate caste, disconnected from the real world. Just as art is always political, so is the artist.
Nicolas Blies & Stéphane Hueber-Blies, Land
"Open letter to the world of culture: the Blies brothers' plea for a cultural boycott (of Russia)"
Luxembourg, March 2022
PRESS
16th June 2019
C’est l’un des films coup de poing du 43e Festival d’Annecy. Dans un habile mélange de prises de vues réelles et de dessins animés, les réalisateurs Stéphane Hueber-Blies et Nicolas Blies ont donné la parole à des survivants et lanceurs d’alertes indignés par les violences sexuelles en temps de guerre. Un film qui a laissé le Festival d’Annecy sans voix.
Alexandre Bernard, Le Figaro
"Zero Impunity: lorsque l’animation se transforme en un documentaire glaçant."
France, Juin 2019
PUBLICATION
June 2019
1/2
Our goal is to question our collective responsibility and therefore the collective response we can provide; to make the words of victims and whistleblowers resonate in the public space but also to awaken the audience by making them aware of their ability to change things through active listening.
Nicolas Blies & Stéphane Huber-Blies, Mémoires (Edition Centre Primo Lévi)
N°75 "L’écoute agissante, premier pas vers l’impunité zéro."
France, June 2019
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